5 July 1845 (origineel)
Saturday. Walden.—Yesterday I came here to live. My house makes me think of some mountain houses I have seen, which seemed to have a fresher auroral atmosphere about them, as I fancy of the halls of Olympus. I lodged at the house of a saw-miller last summer, on the Caatskill Mountains, high up as Pine Orchard, in the blueberry and raspberry region, where the quiet and cleanliness and coolness seemed to be all one,—which had their ambrosial character. He was the miller of the Kaaterskill Falls. They were a clean and wholesome family, inside and out, like their house. The latter was not plastered, only lathed, and the inner doors were not hung. The house seemed high-placed, airy, and perfumed, fit to entertain a traveling god. It was so high, indeed, that all the music, the broken strains, the waifs and accompaniments of tunes, that swept over the Caatskills, passed through its aisles. Could not man be man in such an abode? And would he ever find out this groveling life. It was the very light and atmosphere in which the works of Grecian art were composed, and in which they rest. They have appropriated to themselves a loftier hall than mortals ever occupy, at least on a level with the mountain-brows of the world. There was wanting a little of the glare of the lower vales, and in its place a pure twilight as became the precincts of heaven. Yet so equable and calm was the season there that you could not tell whether it was morning or noon or evening. Always there was the sound of the morning cricket.
7 July 1845
I am glad to remember to-night, as I sit by my door, that I too am at least a remote descendant of that heroic race of men of whom there is tradition. I too sit here on the shore of my Ithaca, a fellow-wanderer and survivor of Ulysses. How symbolical, significant of I know not what, the pitch pine stands here before my door! Unlike any glyph I have seen sculptured or painted yet, one of Nature’s later designs, yet perfect as her Grecian art. There it is, a done tree. Who can mend it? And now where is the generation of heroes whose lives are to pass amid these our northern pines, whose exploits shall appear to posterity pictured amid these strong and shaggy forms? Shall there be only arrows and bows to go with these pines on some pipe-stone quarry at length? There is something more respectable than railroads in these simple relics of the Indian race. What hieroglyphs shall we add to the pipe-stone quarry?
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