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Sylvia Plath (1932-1963) was een Amerikaanse dichteres. Onderstaand de eerste drie 'dagen' uit haar
dagboek. Meer
hier.
11.
Emile. There it is; his name. And what can I say? I can say he called for me at nine Saturday night, that I was still weak from having two wisdom teeth out that morning. I can say that we went on a double date dancing at Ten Acres, that I drank five glasses, in the course of the evening, to the bottom, of sparkling tawny gingerale, while the others drank beer. But that's not it. Not at all. This is how it was. I dressed slowly, smoothing, perfuming, powdering. I sat upstairs in the moist gray twilight, with the rain trickling down outside, while the family talked and laughed with company down on the porch. This is I, I thought, the American virgin, dressed to seduce. I know I'm in for an evening of sexual pleasure. We go on dates, we play around, and if we're nice girls, we demure at a certain point. And so it goes. We walked into the bar and sat down, two by two. E. and I had the initial strangeness to rub off. We began to talk - about the funeral he went to this morning, about his twenty year old cousin who broke his back and is paralyzed for life, about his sister who died of pneumonia at twelve years. "Good lord, we're morbid tonight," he shuddered. And then, "You know something I've always liked ... I mean wanted to like? Dark eyes and blonde hair." So we talked about little things, how words lose their meaning when you repeat them over and over; how all people of the Negro race look alike until you get to know them individually; how we always liked the age we were at best. "I pity Warrie," he said, nodding at the other boy. "He's twenty-two, out of Amherst, and he has to work the rest of his life. When I figure ... only two more years of college."
"I know, I've always dreaded birthdays."
"You don't look as young as you are."
"I don't see," I said, "how people stand being old. Your insides all dry up. When you're young you're so self-reliant. You don't even need much religion."
"You're not by any chance a Catholic?" He asked as if it were quite unlikely.
"No. You?"
"Yes." He said it very low.
There was more small talk, more laughing, sidelong glances, more of the unspoken physical friction that makes each new conquest so delightful. In the air was the strong smell of masculinity which creates the ideal medium for me to exist in. There was something in Emile tonight, a touch of seriousness, a chemical magnetism, that met my mood the way two pieces of a child's puzzle fit together. He has a fine face, dark hair, and eyes with enormous black pupils; a straight nose, a one-sided flashing grin, a clean-cut chin. He is neatly made, with small, sensitive hands. I knew it would be the way it was. On the dance floor he held me close to him, the hard line of his penis taut against my stomach, my breasts aching firm against his chest. And it was like warm wine flooding through me, a sleepy, electric drowsiness. He nuzzled his face in my hair; kissed my cheek. "Don't look at me," he said. "I've just come out of a swimming pool, hot and wet." (God, I knew it would be like this.) He was looking at me intently, searchingly, and our eyes met. I went under twice; I was drowning; and he flicked his gaze away. On the way to Warrie's at midnight, Emile kissed me in the car, his mouth wet and gentle on mine. At Warrie's, more gingerale, more beer, and dancing with the dim light from the porch, Emile's body warm and firm against mine, rocking back and forth to the soft, erotic music. (Dancing is the normal prelude to intercourse. All the dancing classes when we are too young to understand, and then this.) "You know," Emile looked at me, "we ought to sit down." I shook my head. "No?" he said. "How about some water, then. Feel all right?" (Feel all right. Oh, yes. Yes, thank you.) He steered me out to the kitchen, cool, smelling of linoleum, with the sound of the rain falling outside. I sat and sipped the water he brought me, while he stood looking down, his features strange in the half-light. I put the glass down. "That was quick," he said. "Should I have taken longer?" I stood up and his face moved in, his arms about me. After a while I pushed him away. "The rain's rather nice. It makes you feel good inside, elemental, just to listen." I was backed against the sink; Emile was close, warm, his eyes glittering, his mouth sensuous and lovely. "You," I said deliberately, "don't give a damn about me except physically." Any boy would deny that; any gallant boy; any gallant lier. But Emile shook me, his voice was urgent, "You know, you shouldn't have said that. You know? You know? The truth always hurts." (Even clichés can come in handy.) He grinned, "Don't be bitter; I'm not. Come away from the sink, and watch." He stepped back, drawing me toward him, slapping my stomach away, he kissed me long and sweetly. At last he let go. "There," he said with a quiet smile. "The truth doesn't always hurt, does it?" And so we left. It was pouring rain. In the car he put his arm around me, his head against mine, and we watched the streetlights coming at us, blurred and fluid in the watery dark. As we ran up the walk in the rain, as he came in and had a drink of water, as he kissed me goodnight, I knew that something in me wanted him, for what I'm not sure: He drinks, he smokes, he's Catholic, he runs around with one girl after another, and yet ... I wanted him. "I don't have to tell you it's been nice," I said at the door. "It's been marvelous," he smiled. "I'll call you. Take care." And he was gone. So the rain comes down hard outside my room, and like Eddie Cohen, I say, "... fifteen thousand years - of what? We're still nothing but animals." Somewhere, in his room, Emile lies, about to sleep, listening to the rain. God only knows what he's thinking.
